This article is an in-depth analysis of the 2021 regional South-Indian Malayalam movie ‘The Great Indian Kitchen’ and It examines the socio-cultural and religious manifestations of patriarchy in the Indian society. I have approached and analyzed this movie using my mental models and some secondary research on subjects of menstruation and sex in the Indian society. Please note that this essay contains spoilers. If you haven’t watched the movie, I’d totally recommend watching it (link)—it also has subtitles for those who do not understand Malayalam. I have used several screenshots from the movie to make/support my arguments—they do not belong to me and are only used as a part of this study.
Read MoreThis article is an examination of Devarakonda’s two movies, Geetha Govindam and Arjun Reddy, that which seems to have taken over South India by a wave in its so-called ‘romance’. They are claimed as the bold experiments of the actor in choosing such radically different movies. But…when you distill the essence of these two characters, they’re not antithesis (as claimed) of one another but just different personas of the same archetype of Indian men…patriarchal, misogynistic, and entitled. Here’s why these movies should jolt you.
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